When listening to music, some humans can easily recognize which instruments play at what time or when a new musical segment starts, but cannot describe exactly how they do this. To automatically describe particular aspects of a music piece – be it for an academic interest in emulating human perception, or for practical applications –, we can thus not directly replicate the steps taken by a human. We can, however, exploit that humans can easily annotate examples, and optimize a generic function to reproduce these annotations. In this thesis, I explore solving different music perception tasks with deep learning, a recent branch of machine learning that optimizes functions of many stacked nonlinear operations – referred to as deep neural networks – and promises to obtain better results or require less domain knowledge than more traditional techniques. In particular, I employ ...

This thesis faces the problem of automatically classifying environmental sounds, i.e., any non-speech or non-music sounds that can be found in the environment. Broadly speaking, two main processes are needed to perform such classification: the signal feature extraction so as to compose representative sound patterns and the machine learning technique that performs the classification of such patterns. The main focus of this research is put on the former, studying relevant signal features that optimally represent the sound characteristics since, according to several references, it is a key issue to attain a robust recognition. This type of audio signals holds many differences with speech or music signals, thus specific features should be determined and adapted to their own characteristics. In this sense, new signal features, inspired by the human auditory system and the human perception of sound, are proposed to improve ...

Automatic music transcription is the process of converting an audio recording into a symbolic representation using musical notation. It has numerous applications in music information retrieval, computational musicology, and the creation of interactive systems. Even for expert musicians, transcribing polyphonic pieces of music is not a trivial task, and while the problem of automatic pitch estimation for monophonic signals is considered to be solved, the creation of an automated system able to transcribe polyphonic music without setting restrictions on the degree of polyphony and the instrument type still remains open. In this thesis, research on automatic transcription is performed by explicitly incorporating information on the temporal evolution of sounds. First efforts address the problem by focusing on signal processing techniques and by proposing audio features utilising temporal characteristics. Techniques for note onset and offset detection are also utilised for improving ...

It takes more time to think of a silent scene, action or event than finding one that emanates sound. Not only speaking or playing music but almost everything that happens is accompanied with or results in one or more sounds mixed together. This makes acoustic event detection (AED) one of the most researched topics in audio signal processing nowadays and it will probably not see a decline anywhere in the near future. This is due to the thirst for understanding and digitally abstracting more and more events in life via the enormous amount of recorded audio through thousands of applications in our daily routine. But it is also a result of two intrinsic properties of audio: it doesn’t need a direct sight to be perceived and is less intrusive to record when compared to image or video. Many applications such ...

Music is built from sound, ultimately resulting from an elaborate interaction between the sound-generating properties of physical objects (i.e. music instruments) and the sound perception abilities of the human auditory system. Humans, even without any kind of formal music training, are typically able to ex- tract, almost unconsciously, a great amount of relevant information from a musical signal. Features such as the beat of a musical piece, the main melody of a complex musical ar- rangement, the sound sources and events occurring in a complex musical mixture, the song structure (e.g. verse, chorus, bridge) and the musical genre of a piece, are just some examples of the level of knowledge that a naive listener is commonly able to extract just from listening to a musical piece. In order to do so, the human auditory system uses a variety of cues ...

Music source separation is the task of separating musical sources from an audio mixture. It has various direct applications including automatic karaoke generation, enhancing musical recordings, and 3D-audio upmixing; but also has implications for other downstream music information retrieval tasks such as multi-instrument transcription. However, the majority of research has focused on fixed stem separation of vocals, drums, and bass stems. While such models have highlighted capabilities of source separation using deep learning, their implications are limited to very few use cases. Such models are unable to separate most other instruments due to insufficient training data. Moreover, class-based separation inherently limits the applicability of such models to be unable to separate monotimbral mixtures. This thesis focuses on separating musical sources without requiring timbral distinction among the sources. Preliminary attempts focus on the separation of vocal harmonies from choral ensembles using ...

For humans, the sound is valuable mostly for its meaning. The voice is spoken language, music, artistic intent. Its physiological functioning is highly developed, as well as our understanding of the underlying process. It is a challenge to replicate this analysis using a computer: in many aspects, its capabilities do not match those of human beings when it comes to speech or instruments music recognition from the sound, to name a few. In this thesis, two problems are investigated: the source separation and the musical processing. The first part investigates the source separation using only one Microphone. The problem of sources separation arises when several audio sources are present at the same moment, mixed together and acquired by some sensors (one in our case). In this kind of situation it is natural for a human to separate and to recognize ...

Much like natural language, music is highly structured, with strong priors on the likelihood of note sequences. In automatic speech recognition (ASR), these priors are called language models, which are used in addition to acoustic models and participate greatly to the success of today's systems. However, in Automatic Music Transcription (AMT), ASR's musical equivalent, Music Language Models (MLMs) are rarely used. AMT can be defined as the process of extracting a symbolic representation from an audio signal, describing which notes were played at what time. In this thesis, we investigate the design of MLMs using recurrent neural networks (RNNs) and their use for AMT. We first look into MLM performance on a polyphonic prediction task. We observe that using musically-relevant timesteps results in desirable MLM behaviour, which is not reflected in usual evaluation metrics. We compare our model against benchmark ...

Audio effects modeling is the process of emulating an audio effect unit and seeks to recreate the sound, behaviour and main perceptual features of an analog reference device. Audio effect units are analog or digital signal processing systems that transform certain characteristics of the sound source. These transformations can be linear or nonlinear, time-invariant or time-varying and with short-term and long-term memory. Most typical audio effect transformations are based on dynamics, such as compression; tone such as distortion; frequency such as equalization; and time such as artificial reverberation or modulation based audio effects. The digital simulation of these audio processors is normally done by designing mathematical models of these systems. This is often difficult because it seeks to accurately model all components within the effect unit, which usually contains mechanical elements together with nonlinear and time-varying analog electronics. Most existing ...

In this thesis we address the subject of automatic extraction of harmony information from audio recordings. We focus on chord symbol recognition and methods for evaluating algorithms designed to perform that task. We present a novel six-dimensional model for equal tempered pitch space based on concepts from neo-Riemannian music theory. This model is employed as the basis of a harmonic change detection function which we use to improve the performance of a chord recognition algorithm. We develop a machine readable text syntax for chord symbols and present a hand labelled chord transcription collection of 180 Beatles songs annotated using this syntax. This collection has been made publicly available and is already widely used for evaluation purposes in the research community. We also introduce methods for comparing chord symbols which we subsequently use for analysing the statistics of the transcription collection. ...

The present doctoral thesis aims towards the development of new long-term, multi-channel, audio-visual processing techniques for the analysis of bioacoustics phenomena. The effort is focused on the study of the physiology of the gastrointestinal system, aiming at the support of medical research for the discovery of gastrointestinal motility patterns and the diagnosis of functional disorders. The term "processing" in this case is quite broad, incorporating the procedures of signal processing, content description, manipulation and analysis, that are applied to all the recorded bioacoustics signals, the auxiliary audio-visual surveillance information (for the monitoring of experiments and the subjects' status), and the extracted audio-video sequences describing the abdominal sound-field alterations. The thesis outline is as follows. The main objective of the thesis, which is the technological support of medical research, is presented in the first chapter. A quick problem definition is initially ...

The production and delivery of audio for television involve many creative and technical challenges. One of them is concerned with the level balance between the foreground speech (also referred to as dialogue) and the background elements, e.g., music, sound effects, and ambient sounds. Background elements are fundamental for the narrative and for creating an engaging atmosphere, but they can mask the dialogue, which the audience wishes to follow in a comfortable way. Very different individual factors of the people in the audience clash with the creative freedom of the content creators. As a result, service providers receive regular complaints about difficulties in understanding the dialogue because of too loud background sounds. While this has been a known issue for at least three decades, works analyzing the problem and up-to-date statics were scarce before the contributions in this work. Enabling the ...

In the modern world, we are increasingly surrounded by computation devices with communication links and one or more microphones. Such devices are, for example, smartphones, tablets, laptops or hearing aids. These devices can work together as nodes in an acoustic sensor network (ASN). Such networks are a growing platform that opens the possibility for many practical applications. ASN based speech enhancement, source localization, and event detection can be applied for teleconferencing, camera control, automation, or assisted living. For this kind of applications, the awareness of auditory objects and their spatial positioning are key properties. In order to provide these two kinds of information, novel methods have been developed in this thesis. Information on the type of auditory objects is provided by a novel real-time sound classification method. Information on the position of human speakers is provided by a novel localization ...

The subject of this PhD thesis is the efficient and robust processing and analysis of the audio recordings that are derived from a call center. The thesis is comprised of two parts. The first part is dedicated to dialogue/non-dialogue detection and to speaker segmentation. The systems that are developed are prerequisite for detecting (i) the audio segments that actually contain a dialogue between the system and the call center customer and (ii) the change points between the system and the customer. This way the volume of the audio recordings that need to be processed is significantly reduced, while the system is automated. To detect the presence of a dialogue several systems are developed. This is the first effort found in the international literature that the audio channel is exclusively exploited. Also, it is the first time that the speaker utterance ...

This thesis concentrates on a major problem within audio signal processing, the separation of source signals from musical mixtures when only a single mixture channel is available. Source separation is the process by which signals that correspond to distinct sources are identified in a signal mixture and extracted from it. Producing multiple entities from a single one is an extremely underdetermined task, so additional prior information can assist in setting appropriate constraints on the solution set. The approach proposed uses prior information such that: (1) it can potentially be applied successfully to a large variety of musical mixtures, and (2) it requires minimal user intervention and no prior learning/training procedures (i.e., it is an unsupervised process). This system can be useful for applications such as remixing, creative effects, restoration and for archiving musical material for internet delivery, amongst others. Here, ...