Music is built from sound, ultimately resulting from an elaborate interaction between the sound-generating properties of physical objects (i.e. music instruments) and the sound perception abilities of the human auditory system. Humans, even without any kind of formal music training, are typically able to ex- tract, almost unconsciously, a great amount of relevant information from a musical signal. Features such as the beat of a musical piece, the main melody of a complex musical ar- rangement, the sound sources and events occurring in a complex musical mixture, the song structure (e.g. verse, chorus, bridge) and the musical genre of a piece, are just some examples of the level of knowledge that a naive listener is commonly able to extract just from listening to a musical piece. In order to do so, the human auditory system uses a variety of cues ...

Typical acoustic scenes consist of multiple superimposed sources, where some of them represent desired signals, but often many of them are undesired sources, e.g., interferers or noise. Hence, source separation and extraction, i.e., the estimation of the desired source signals based on observed mixtures, is one of the central problems in audio signal processing. A promising class of approaches to address such problems is based on Independent Component Analysis (ICA), an unsupervised machine learning technique. These methods enjoyed a lot of attention from the research community due to the small number of assumptions that have to be made about the considered problem. Furthermore, the resulting generalization ability to unseen acoustic conditions, their mathematical rigor and the simplicity of resulting algorithms have been appreciated by many researchers working in audio signal processing. However, knowledge about the acoustic scenario is often available ...

Single channel source separation is a quite recent problem of constantly growing interest in the scientific world. However, this problem is still very far to be solved, and even more, it cannot be solved in all its generality. Indeed, since this problem is highly underdetermined, the main difficulty is that a very strong knowledge about the sources is required to be able to separate them. For a grand class of existing separation methods, this knowledge is expressed by statistical source models, notably Gaussian Mixture Models (GMM), which are learned from some training examples. The subject of this work is to study the separation methods based on statistical models in general, and then to apply them to the particular problem of separating singing voice from background music in mono recordings of songs. It can be very useful to propose some satisfactory ...

Sound source separation refers to the task of estimating the signals produced by individual sound sources from a complex acoustic mixture. It has several applications, since monophonic signals can be processed more efficiently and flexibly than polyphonic mixtures. This thesis deals with the separation of monaural, or, one-channel music recordings. We concentrate on separation methods, where the sources to be separated are not known beforehand. Instead, the separation is enabled by utilizing the common properties of real-world sound sources, which are their continuity, sparseness, and repetition in time and frequency, and their harmonic spectral structures. One of the separation approaches taken here use unsupervised learning and the other uses model-based inference based on sinusoidal modeling. Most of the existing unsupervised separation algorithms are based on a linear instantaneous signal model, where each frame of the input mixture signal is modeled ...

For humans, the sound is valuable mostly for its meaning. The voice is spoken language, music, artistic intent. Its physiological functioning is highly developed, as well as our understanding of the underlying process. It is a challenge to replicate this analysis using a computer: in many aspects, its capabilities do not match those of human beings when it comes to speech or instruments music recognition from the sound, to name a few. In this thesis, two problems are investigated: the source separation and the musical processing. The first part investigates the source separation using only one Microphone. The problem of sources separation arises when several audio sources are present at the same moment, mixed together and acquired by some sensors (one in our case). In this kind of situation it is natural for a human to separate and to recognize ...

This thesis is related to the field of Sound Source Separation (SSS). It addresses the development and evaluation of these techniques for their application in the resynthesis of high-realism sound scenes by means of Wave Field Synthesis (WFS). Because the vast majority of audio recordings are preserved in two-channel stereo format, special up-converters are required to use advanced spatial audio reproduction formats, such as WFS. This is due to the fact that WFS needs the original source signals to be available, in order to accurately synthesize the acoustic field inside an extended listening area. Thus, an object-based mixing is required. Source separation problems in digital signal processing are those in which several signals have been mixed together and the objective is to find out what the original signals were. Therefore, SSS algorithms can be applied to existing two-channel mixtures to ...

This thesis addresses the development of a system for pitch-informed solo and accompaniment separation capable of separating main instruments from music accompaniment regardless of the musical genre of the track, or type of music accompaniment. For the solo instrument, only pitched monophonic instruments were considered in a single-channel scenario where no panning or spatial location information is available. In the proposed method, pitch information is used as an initial stage of a sinusoidal modeling approach that attempts to estimate the spectral information of the solo instrument from a given audio mixture. Instead of estimating the solo instrument on a frame by frame basis, the proposed method gathers information of tone objects to perform separation. Tone-based processing allowed the inclusion of novel processing stages for attack re nement, transient interference reduction, common amplitude modulation (CAM) of tone objects, and for better ...

This doctorate thesis focuses on sparse regression, a statistical modeling tool for selecting valuable predictors in underdetermined linear models. By imposing different constraints on the structure of the variable vector in the regression problem, one obtains estimates which have sparse supports, i.e., where only a few of the elements in the response variable have non-zero values. The thesis collects six papers which, to a varying extent, deals with the applications, implementations, modifications, translations, and other analysis of such problems. Sparse regression is often used to approximate additive models with intricate, non-linear, non-smooth or otherwise problematic functions, by creating an underdetermined model consisting of candidate values for these functions, and linear response variables which selects among the candidates. Sparse regression is therefore a widely used tool in applications such as, e.g., image processing, audio processing, seismological and biomedical modeling, but is ...

Epilepsy is a neurological condition that manifests in epileptic seizures as a result of an abnormal, synchronous activity of a large group of neurons. Depending on the affected brain regions, seizures produce various severe clinical symptoms. Epilepsy cannot be cured and in many cases is not controlled by medication either. Surgical resection of the region responsible for generating the epileptic seizures might offer remedy for these patients. Electroencephalography (EEG) and functional magnetic resonance imaging (fMRI) measure the changes of brain activity in time over different locations of the brain. As such, they provide valuable information on the nature, the timing and the spatial origin of the epileptic activity. Unfortunately, both techniques record activity of different brain and artefact sources as well. Hence, EEG and fMRI signals are characterised by low signal to noise ratio. Data quality and the vast amount ...

In audio signal processing, source separation consists in recovering the different audio sources that compose a given observed audio mixture. They are many techniques to estimate these sources and the more information are taken into account about them the more the separation is likely to be successful. One way to incorporate information on sources is the use of a reference signal which will give a first approximation of this source. This thesis aims to explore the theoretical and applied aspects of reference guided source separation. The proposed approach called SPotted REference based Separation (SPORES) explore the particular case where the references are obtained automatically by motif spotting, i.e., by a search of similar content. Such an approach is useful for contents with a certain redundancy or if a large database is be available. Fortunately, the current context often puts us ...

This work deals with the problem of reverse audio engineering for active listening. The format under consideration corresponds to the audio CD. The musical content is viewed as the result of a concatenation of the composition, the recording, the mixing, and the mastering. The inversion of the two latter stages constitutes the core of the problem at hand. The audio signal is treated as a post-nonlinear mixture. Thus, the mixture is “decompressed” before being “decomposed” into audio tracks. The problem is tackled in an informed context: The inversion is accompanied by information which is specific to the content production. In this manner, the quality of the inversion is significantly improved. The information is reduced in size by the use of quantification and coding methods, and some facts on psychoacoustics. The proposed methods are applicable in real time and have a ...

The production and delivery of audio for television involve many creative and technical challenges. One of them is concerned with the level balance between the foreground speech (also referred to as dialogue) and the background elements, e.g., music, sound effects, and ambient sounds. Background elements are fundamental for the narrative and for creating an engaging atmosphere, but they can mask the dialogue, which the audience wishes to follow in a comfortable way. Very different individual factors of the people in the audience clash with the creative freedom of the content creators. As a result, service providers receive regular complaints about difficulties in understanding the dialogue because of too loud background sounds. While this has been a known issue for at least three decades, works analyzing the problem and up-to-date statics were scarce before the contributions in this work. Enabling the ...

This thesis presents techniques for the modelling of musical signals, with particular regard to monophonic and polyphonic pitch estimation. Musical signals are modelled as a set of notes, each comprising of a set of harmonically-related sinusoids. An hierarchical model is presented that is very general and applicable to any signal that can be decomposed as the sum of basis functions. Parameter estimation is posed within a Bayesian framework, allowing for the incorporation of prior information about model parameters. The resulting posterior distribution is of variable dimension and so reversible jump MCMC simulation techniques are employed for the parameter estimation task. The extension of the model to time-varying signals with high posterior correlations between model parameters is described. The parameters and hyperparameters of several frames of data are estimated jointly to achieve a more robust detection. A general model for the ...

This Ph.D. thesis focuses on developing a system for high-quality speech synthesis and voice conversion. Vocoder-based speech analysis, manipulation, and synthesis plays a crucial role in various kinds of statistical parametric speech research. Although there are vocoding methods which yield close to natural synthesized speech, they are typically computationally expensive, and are thus not suitable for real-time implementation, especially in embedded environments. Therefore, there is a need for simple and computationally feasible digital signal processing algorithms for generating high-quality and natural-sounding synthesized speech. In this dissertation, I propose a solution to extract optimal acoustic features and a new waveform generator to achieve higher sound quality and conversion accuracy by applying advances in deep learning. The approach remains computationally efficient. This challenge resulted in five thesis groups, which are briefly summarized below. I introduce firstly a new method to shape the ...

Everyday sounds in real-world environments are a powerful source of information by which humans can interact with their environments. Humans can infer what is happening around them by listening to everyday sounds. At the same time, it is a challenging task for a computer algorithm in a smart device to automatically recognise, understand, and interpret everyday sounds. Sound event detection (SED) is the process of transcribing an audio recording into sound event tags with onset and offset time values. This involves classification and segmentation of sound events in the given audio recording. SED has numerous applications in everyday life which include security and surveillance, automation, healthcare monitoring, multimedia information retrieval, and assisted living technologies. SED is to everyday sounds what automatic speech recognition (ASR) is to speech and automatic music transcription (AMT) is to music. The fundamental questions in designing ...