Much like natural language, music is highly structured, with strong priors on the likelihood of note sequences. In automatic speech recognition (ASR), these priors are called language models, which are used in addition to acoustic models and participate greatly to the success of today's systems. However, in Automatic Music Transcription (AMT), ASR's musical equivalent, Music Language Models (MLMs) are rarely used. AMT can be defined as the process of extracting a symbolic representation from an audio signal, describing which notes were played at what time. In this thesis, we investigate the design of MLMs using recurrent neural networks (RNNs) and their use for AMT. We first look into MLM performance on a polyphonic prediction task. We observe that using musically-relevant timesteps results in desirable MLM behaviour, which is not reflected in usual evaluation metrics. We compare our model against benchmark ...

Music was the first mass-market industry to be completely restructured by digital technology, and today we can have access to thousands of tracks stored locally on our smartphone and millions of tracks through cloud-based music services. Given the vast quantity of music at our fingertips, we now require novel ways of describing, indexing, searching and interacting with musical content. In this thesis we focus on a technology that opens the door to a wide range of such applications: automatically estimating the pitch sequence of the melody directly from the audio signal of a polyphonic music recording, also referred to as melody extraction. Whilst identifying the pitch of the melody is something human listeners can do quite well, doing this automatically is highly challenging. We present a novel method for melody extraction based on the tracking and characterisation of the pitch ...

The amount of digital music available both on the Internet and by each listener has considerably raised for about ten years. The organization and the accessibillity of this amount of data demand that additional informations are available, such as artist, album and song names, musical genre, tempo, mood or other symbolic or semantic attributes. Automatic music indexing has thus become a challenging research area. If some tasks are now correctly handled for certain types of music, such as automatic genre classification for stereotypical music, music instrument recoginition on solo performance and tempo extraction, others are more difficult to perform. For example, automatic transcription of polyphonic signals and instrument ensemble recognition are still limited to some particular cases. The goal of our study is not to obain a perfect transcription of the signals and an exact classification of all the instruments ...

Automatic music transcription is the process of converting an audio recording into a symbolic representation using musical notation. It has numerous applications in music information retrieval, computational musicology, and the creation of interactive systems. Even for expert musicians, transcribing polyphonic pieces of music is not a trivial task, and while the problem of automatic pitch estimation for monophonic signals is considered to be solved, the creation of an automated system able to transcribe polyphonic music without setting restrictions on the degree of polyphony and the instrument type still remains open. In this thesis, research on automatic transcription is performed by explicitly incorporating information on the temporal evolution of sounds. First efforts address the problem by focusing on signal processing techniques and by proposing audio features utilising temporal characteristics. Techniques for note onset and offset detection are also utilised for improving ...

For humans, the sound is valuable mostly for its meaning. The voice is spoken language, music, artistic intent. Its physiological functioning is highly developed, as well as our understanding of the underlying process. It is a challenge to replicate this analysis using a computer: in many aspects, its capabilities do not match those of human beings when it comes to speech or instruments music recognition from the sound, to name a few. In this thesis, two problems are investigated: the source separation and the musical processing. The first part investigates the source separation using only one Microphone. The problem of sources separation arises when several audio sources are present at the same moment, mixed together and acquired by some sensors (one in our case). In this kind of situation it is natural for a human to separate and to recognize ...

It takes more time to think of a silent scene, action or event than finding one that emanates sound. Not only speaking or playing music but almost everything that happens is accompanied with or results in one or more sounds mixed together. This makes acoustic event detection (AED) one of the most researched topics in audio signal processing nowadays and it will probably not see a decline anywhere in the near future. This is due to the thirst for understanding and digitally abstracting more and more events in life via the enormous amount of recorded audio through thousands of applications in our daily routine. But it is also a result of two intrinsic properties of audio: it doesn’t need a direct sight to be perceived and is less intrusive to record when compared to image or video. Many applications such ...

Everyday sounds in real-world environments are a powerful source of information by which humans can interact with their environments. Humans can infer what is happening around them by listening to everyday sounds. At the same time, it is a challenging task for a computer algorithm in a smart device to automatically recognise, understand, and interpret everyday sounds. Sound event detection (SED) is the process of transcribing an audio recording into sound event tags with onset and offset time values. This involves classification and segmentation of sound events in the given audio recording. SED has numerous applications in everyday life which include security and surveillance, automation, healthcare monitoring, multimedia information retrieval, and assisted living technologies. SED is to everyday sounds what automatic speech recognition (ASR) is to speech and automatic music transcription (AMT) is to music. The fundamental questions in designing ...

Automatically making sense of digital information, and specially of music digital documents, is an important problem our modern society is facing. In fact, there are still many tasks that, although being easily performed by humans, cannot be effectively performed by a computer. In this work we focus on one of such tasks: the identification of musical piece versions (alternate renditions of the same musical composition like cover songs, live recordings, remixes, etc.). In particular, we adopt a computational approach solely based on the information provided by the audio signal. We propose a system for version identification that is robust to the main musical changes between versions, including timbre, tempo, key and structure changes. Such a system exploits nonlinear time series analysis tools and standard methods for quantitative music description, and it does not make use of a specific modeling strategy ...

People can achieve rich musical expression through vocal sound -- see for example human beatboxing, which achieves a wide timbral variety through a range of extended techniques. Yet the vocal modality is under-exploited as a controller for music systems. If we can analyse a vocal performance suitably in real time, then this information could be used to create voice-based interfaces with the potential for intuitive and fulfilling levels of expressive control. Conversely, many modern techniques for music synthesis do not imply any particular interface. Should a given parameter be controlled via a MIDI keyboard, or a slider/fader, or a rotary dial? Automatic vocal analysis could provide a fruitful basis for expressive interfaces to such electronic musical instruments. The principal questions in applying vocal-based control are how to extract musically meaningful information from the voice signal in real time, and how ...

The field of Life Science Engineering (LSE) is rapidly expanding and predicted to grow strongly in the next decades. It covers areas of food and medical research, plant and pests’ research, and environmental research. In each research area, engineers try to find equations that model a certain life science problem. Once found, they research different numerical techniques to solve for the unknown variables of these equations. Afterwards, solution improvement is examined by adopting more accurate conventional techniques, or developing novel algorithms. In particular, signal and image processing techniques are widely used to solve those LSE problems require pattern recognition. However, due to the continuous evolution of the life science problems and their natures, these solution techniques can not cover all aspects, and therefore demanding further enhancement and improvement. The thesis presents numerical algorithms of digital signal and image processing to ...

This thesis focuses on the development of automatic accompaniment sys- tems. We investigate previous systems and look at a range of approaches that have been attempted for the problem of beat tracking. Most beat trackers are intended for the purposes of music information retrieval where a ‘black box’ approach is tested on a wide variety of music genres. We highlight some of the difficulties facing offline beat trackers and design a new approach for the problem of real-time drum tracking, developing a system, B-Keeper, which makes reasonable assumptions on the nature of the signal and is provided with useful prior knowledge. Having developed the system with offline studio recordings, we look to test the system with human players. Existing offline evaluation methods seem less suitable for a performance system, since we also wish to evaluate the interaction between musician and ...

The analysis of audiovisual data aims at extracting high level information, equivalent with the one(s) that can be extracted by a human. It is considered as a fundamental, unsolved (in its general form) problem. Even though the inverse problem, the audiovisual (sound and animation) synthesis, is judged easier than the previous, it remains an unsolved problem. The systematic research on these problems yields solutions that constitute the basis for a great number of continuously developing applications. In this thesis, we examine the two aforementioned fundamental problems. We propose algorithms and models of analysis and synthesis of articulated motion and undulatory (snake) locomotion, using data from video sequences. The goal of this research is the multilevel information extraction from video, like object tracking and activity recognition, and the 3-D animation synthesis in virtual environments based on the results of analysis. An ...

Automatic ear recognition systems have seen increased interest over recent years due to multiple desirable characteristics. Ear images used in such systems can typically be extracted from profile head shots or video footage. The acquisition procedure is contactless and non-intrusive, and it also does not depend on the cooperation of the subjects. In this regard, ear recognition technology shares similarities with other image-based biometric modalities. Another appealing property of ear biometrics is its distinctiveness. Recent studies even empirically validated existing conjectures that certain features of the ear are distinct for identical twins. This fact has significant implications for security-related applications and puts ear images on a par with epigenetic biometric modalities, such as the iris. Ear images can also supplement other biometric modalities in automatic recognition systems and provide identity cues when other information is unreliable or even unavailable. In ...

We propose a technique for the problem of detecting the very presence of hidden messages in an audio object. The detector is based on the characteristics of the denoised residuals of the audio file. Our proposition is established upon the presupposition that the hidden message in a cover object leaves statistical evidence that can be detected with the use of some audio distortion measures. The distortions caused by hidden message are measured in terms of objective and perceptual quality metrics. The detector discriminates between cover and stego files using a selected subset of features and an SVM classifier. We have evaluated the detection performance of the proposed steganalysis technique with the well-known watermarking and steganographic methods. We present novel and robust audio fingerprinting techniques based on the summarization of the time-frequency spectral characteristics of an audio object. The perceptual hash ...

In this thesis, we present novel methods to enhance speech corrupted by noise. All methods are based on the processing of complex-valued spectral data. First, kernel principal component analysis (PCA) for speech enhancement is proposed. Subsequently, a simplification of kernel PCA, called pre-image iterations (PI), is derived. This method computes enhanced feature vectors iteratively by linear combination of noisy feature vectors. The weighting for the linear combination is found by a kernel function that measures the similarity between the feature vectors. The kernel variance is a key parameter for the degree of de-noising and has to be set according to the signal-to-noise ratio (SNR). Initially, PI were proposed for speech corrupted by additive white Gaussian noise. To be independent of knowledge about the SNR and to generalize to other stationary noise types, PI are extended by automatic determination of the ...