Music is built from sound, ultimately resulting from an elaborate interaction between the sound-generating properties of physical objects (i.e. music instruments) and the sound perception abilities of the human auditory system. Humans, even without any kind of formal music training, are typically able to ex- tract, almost unconsciously, a great amount of relevant information from a musical signal. Features such as the beat of a musical piece, the main melody of a complex musical ar- rangement, the sound sources and events occurring in a complex musical mixture, the song structure (e.g. verse, chorus, bridge) and the musical genre of a piece, are just some examples of the level of knowledge that a naive listener is commonly able to extract just from listening to a musical piece. In order to do so, the human auditory system uses a variety of cues ...

Automatic music transcription is the process of converting an audio recording into a symbolic representation using musical notation. It has numerous applications in music information retrieval, computational musicology, and the creation of interactive systems. Even for expert musicians, transcribing polyphonic pieces of music is not a trivial task, and while the problem of automatic pitch estimation for monophonic signals is considered to be solved, the creation of an automated system able to transcribe polyphonic music without setting restrictions on the degree of polyphony and the instrument type still remains open. In this thesis, research on automatic transcription is performed by explicitly incorporating information on the temporal evolution of sounds. First efforts address the problem by focusing on signal processing techniques and by proposing audio features utilising temporal characteristics. Techniques for note onset and offset detection are also utilised for improving ...

It takes more time to think of a silent scene, action or event than finding one that emanates sound. Not only speaking or playing music but almost everything that happens is accompanied with or results in one or more sounds mixed together. This makes acoustic event detection (AED) one of the most researched topics in audio signal processing nowadays and it will probably not see a decline anywhere in the near future. This is due to the thirst for understanding and digitally abstracting more and more events in life via the enormous amount of recorded audio through thousands of applications in our daily routine. But it is also a result of two intrinsic properties of audio: it doesn’t need a direct sight to be perceived and is less intrusive to record when compared to image or video. Many applications such ...

Localization, separation and tracking of acoustic sources are ancient challenges that lots of animals and human beings are doing intuitively and sometimes with an impressive accuracy. Artificial methods have been developed for various applications and conditions. The majority of those methods are centralized, meaning that all signals are processed together to produce the estimation results. The concept of distributed sensor networks is becoming more realistic as technology advances in the fields of nano-technology, micro electro-mechanic systems (MEMS) and communication. A distributed sensor network comprises scattered nodes which are autonomous, self-powered modules consisting of sensors, actuators and communication capabilities. A variety of layout and connectivity graphs are usually used. Distributed sensor networks have a broad range of applications, which can be categorized in ecology, military, environment monitoring, medical, security and surveillance. In this dissertation we develop algorithms for distributed sensor networks ...

The amount of digital music available both on the Internet and by each listener has considerably raised for about ten years. The organization and the accessibillity of this amount of data demand that additional informations are available, such as artist, album and song names, musical genre, tempo, mood or other symbolic or semantic attributes. Automatic music indexing has thus become a challenging research area. If some tasks are now correctly handled for certain types of music, such as automatic genre classification for stereotypical music, music instrument recoginition on solo performance and tempo extraction, others are more difficult to perform. For example, automatic transcription of polyphonic signals and instrument ensemble recognition are still limited to some particular cases. The goal of our study is not to obain a perfect transcription of the signals and an exact classification of all the instruments ...

Recent advances in computer technology and speech and language processing have made possible that some new ways of person-machine communication and computer assistance to human activities start to appear feasible. Concretely, the interest on the development of new challenging applications in indoor environments equipped with multiple multimodal sensors, also known as smart-rooms, has considerably grown. In general, it is well-known that the quality of speech signals captured by microphones that can be located several meters away from the speakers is severely distorted by acoustic noise and room reverberation. In the context of the development of hands-free speech applications in smart-room environments, the use of obtrusive sensors like close-talking microphones is usually not allowed, and consequently, speech technologies must operate on the basis of distant-talking recordings. In such conditions, speech technologies that usually perform reasonably well in free of noise and ...

Everyday sounds in real-world environments are a powerful source of information by which humans can interact with their environments. Humans can infer what is happening around them by listening to everyday sounds. At the same time, it is a challenging task for a computer algorithm in a smart device to automatically recognise, understand, and interpret everyday sounds. Sound event detection (SED) is the process of transcribing an audio recording into sound event tags with onset and offset time values. This involves classification and segmentation of sound events in the given audio recording. SED has numerous applications in everyday life which include security and surveillance, automation, healthcare monitoring, multimedia information retrieval, and assisted living technologies. SED is to everyday sounds what automatic speech recognition (ASR) is to speech and automatic music transcription (AMT) is to music. The fundamental questions in designing ...

This thesis concentrates on a major problem within audio signal processing, the separation of source signals from musical mixtures when only a single mixture channel is available. Source separation is the process by which signals that correspond to distinct sources are identified in a signal mixture and extracted from it. Producing multiple entities from a single one is an extremely underdetermined task, so additional prior information can assist in setting appropriate constraints on the solution set. The approach proposed uses prior information such that: (1) it can potentially be applied successfully to a large variety of musical mixtures, and (2) it requires minimal user intervention and no prior learning/training procedures (i.e., it is an unsupervised process). This system can be useful for applications such as remixing, creative effects, restoration and for archiving musical material for internet delivery, amongst others. Here, ...

When listening to music, some humans can easily recognize which instruments play at what time or when a new musical segment starts, but cannot describe exactly how they do this. To automatically describe particular aspects of a music piece – be it for an academic interest in emulating human perception, or for practical applications –, we can thus not directly replicate the steps taken by a human. We can, however, exploit that humans can easily annotate examples, and optimize a generic function to reproduce these annotations. In this thesis, I explore solving different music perception tasks with deep learning, a recent branch of machine learning that optimizes functions of many stacked nonlinear operations – referred to as deep neural networks – and promises to obtain better results or require less domain knowledge than more traditional techniques. In particular, I employ ...

Single channel source separation is a quite recent problem of constantly growing interest in the scientific world. However, this problem is still very far to be solved, and even more, it cannot be solved in all its generality. Indeed, since this problem is highly underdetermined, the main difficulty is that a very strong knowledge about the sources is required to be able to separate them. For a grand class of existing separation methods, this knowledge is expressed by statistical source models, notably Gaussian Mixture Models (GMM), which are learned from some training examples. The subject of this work is to study the separation methods based on statistical models in general, and then to apply them to the particular problem of separating singing voice from background music in mono recordings of songs. It can be very useful to propose some satisfactory ...

The separation of independent sources from mixed observed data is a fundamental and challenging signal processing problem. In many practical situations, one or more desired signals need to be recovered from the mixtures only. A typical example is speech recordings made in an acoustic environment in the presence of background noise and/or competing speakers. Other examples include EEG signals, passive sonar applications and cross-talk in data communications. The audio signal separation problem is sometimes referred to as The Cocktail Party Problem. When several people in the same room are conversing at the same time, it is remarkable that a person is able to choose to concentrate on one of the speakers and listen to his or her speech flow unimpeded. This ability, usually referred to as the binaural cocktail party effect, results in part from binaural (two-eared) hearing. In contrast, ...

Music was the first mass-market industry to be completely restructured by digital technology, and today we can have access to thousands of tracks stored locally on our smartphone and millions of tracks through cloud-based music services. Given the vast quantity of music at our fingertips, we now require novel ways of describing, indexing, searching and interacting with musical content. In this thesis we focus on a technology that opens the door to a wide range of such applications: automatically estimating the pitch sequence of the melody directly from the audio signal of a polyphonic music recording, also referred to as melody extraction. Whilst identifying the pitch of the melody is something human listeners can do quite well, doing this automatically is highly challenging. We present a novel method for melody extraction based on the tracking and characterisation of the pitch ...

are involved until the development of Sequential Monte Carlo techniques which are also known as the particle filters. In particle filtering, the problem is expressed in terms of state-space equations where the linearity and Gaussianity requirements of the Kalman filtering are generalized. Therefore, we need information about the functional form of the state variations. In this thesis, we bring a general solution for the cases where these variations are unknown and the process distributions cannot be expressed by any closed form probability density function. Here, we propose a novel modeling scheme which is as unified as possible to cover all these problems. Therefore we study the performance analysis of our unifying particle filtering methodology on non-stationary Alpha Stable process modeling. It is well known that the probability density functions of these processes cannot be expressed in closed form, except for ...

The problem of segregating a sound source of interest from an acoustic background has been extensively studied due to applications in hearing prostheses, robust speech/speaker recognition and audio information retrieval. Computational auditory scene analysis (CASA) approaches the segregation problem by utilizing grouping cues involved in the perceptual organization of sound by human listeners. Binaural processing, where input signals resemble those that enter the two ears, is of particular interest in the CASA field. The dominant approach to binaural segregation has been to derive spatially selective filters in order to enhance the signal in a direction of interest. As such, the problems of sound localization and sound segregation are closely tied. While spatial filtering has been widely utilized, substantial performance degradation is incurred in reverberant environments and more fundamentally, segregation cannot be performed without sufficient spatial separation between sources. This dissertation ...

Reverberation is the sum of reflected sound waves and is present in any conventional room. Speech communication devices such as mobile phones in hands-free mode, tablets, smart TVs, teleconferencing systems, hearing aids, voice-controlled systems, etc. use one or more microphones to pick up the desired speech signals. When the microphones are not in the proximity of the desired source, strong reverberation and noise can degrade the signal quality at the microphones and can impair the intelligibility and the performance of automatic speech recognizers. Therefore, it is a highly demanded task to process the microphone signals such that reverberation and noise are reduced. The process of reducing or removing reverberation from recorded signals is called dereverberation. As dereverberation is usually a completely blind problem, where the only available information are the microphone signals, and as the acoustic scenario can be non-stationary, ...