Automatic music transcription is the process of converting an audio recording into a symbolic representation using musical notation. It has numerous applications in music information retrieval, computational musicology, and the creation of interactive systems. Even for expert musicians, transcribing polyphonic pieces of music is not a trivial task, and while the problem of automatic pitch estimation for monophonic signals is considered to be solved, the creation of an automated system able to transcribe polyphonic music without setting restrictions on the degree of polyphony and the instrument type still remains open. In this thesis, research on automatic transcription is performed by explicitly incorporating information on the temporal evolution of sounds. First efforts address the problem by focusing on signal processing techniques and by proposing audio features utilising temporal characteristics. Techniques for note onset and offset detection are also utilised for improving ...

It takes more time to think of a silent scene, action or event than finding one that emanates sound. Not only speaking or playing music but almost everything that happens is accompanied with or results in one or more sounds mixed together. This makes acoustic event detection (AED) one of the most researched topics in audio signal processing nowadays and it will probably not see a decline anywhere in the near future. This is due to the thirst for understanding and digitally abstracting more and more events in life via the enormous amount of recorded audio through thousands of applications in our daily routine. But it is also a result of two intrinsic properties of audio: it doesn’t need a direct sight to be perceived and is less intrusive to record when compared to image or video. Many applications such ...

When listening to music, some humans can easily recognize which instruments play at what time or when a new musical segment starts, but cannot describe exactly how they do this. To automatically describe particular aspects of a music piece – be it for an academic interest in emulating human perception, or for practical applications –, we can thus not directly replicate the steps taken by a human. We can, however, exploit that humans can easily annotate examples, and optimize a generic function to reproduce these annotations. In this thesis, I explore solving different music perception tasks with deep learning, a recent branch of machine learning that optimizes functions of many stacked nonlinear operations – referred to as deep neural networks – and promises to obtain better results or require less domain knowledge than more traditional techniques. In particular, I employ ...

For humans, the sound is valuable mostly for its meaning. The voice is spoken language, music, artistic intent. Its physiological functioning is highly developed, as well as our understanding of the underlying process. It is a challenge to replicate this analysis using a computer: in many aspects, its capabilities do not match those of human beings when it comes to speech or instruments music recognition from the sound, to name a few. In this thesis, two problems are investigated: the source separation and the musical processing. The first part investigates the source separation using only one Microphone. The problem of sources separation arises when several audio sources are present at the same moment, mixed together and acquired by some sensors (one in our case). In this kind of situation it is natural for a human to separate and to recognize ...

This thesis focuses on the development of automatic accompaniment sys- tems. We investigate previous systems and look at a range of approaches that have been attempted for the problem of beat tracking. Most beat trackers are intended for the purposes of music information retrieval where a ‘black box’ approach is tested on a wide variety of music genres. We highlight some of the difficulties facing offline beat trackers and design a new approach for the problem of real-time drum tracking, developing a system, B-Keeper, which makes reasonable assumptions on the nature of the signal and is provided with useful prior knowledge. Having developed the system with offline studio recordings, we look to test the system with human players. Existing offline evaluation methods seem less suitable for a performance system, since we also wish to evaluate the interaction between musician and ...

The increasing use of technological devices and biometric recognition systems in people daily lives has motivated a great deal of research interest in the development of effective and robust systems. However, there are still some challenges to be solved in these systems when Deep Neural Networks (DNNs) are employed. For this reason, this thesis proposes different approaches to address these issues. First of all, we have analyzed the effect of introducing the most widespread DNN architectures to develop systems for face and text-dependent speaker verification tasks. In this analysis, we observed that state-of-the-art DNNs established for many tasks, including face verification, did not perform efficiently for text-dependent speaker verification. Therefore, we have conducted a study to find the cause of this poor performance and we have noted that under certain circumstances this problem is due to the use of a ...

When exposed to noise, speakers will modify the way they speak in an effort to maintain intelligible communication. This process, which is referred to as Lombard effect (LE), involves a combination of both conscious and subconscious articulatory adjustment. Speech production variations due to LE can cause considerable degradation in automatic speech recognition (ASR) since they introduce a mismatch between parameters of the speech to be recognized and the ASR system’s acoustic models, which are usually trained on neutral speech. The main objective of this thesis is to analyze the impact of LE on speech production and to propose methods that increase ASR system performance in LE. All presented experiments were conducted on the Czech spoken language, yet, the proposed concepts are assumed applicable to other languages. The first part of the thesis focuses on the design and acquisition of a ...

The amount of digital music available both on the Internet and by each listener has considerably raised for about ten years. The organization and the accessibillity of this amount of data demand that additional informations are available, such as artist, album and song names, musical genre, tempo, mood or other symbolic or semantic attributes. Automatic music indexing has thus become a challenging research area. If some tasks are now correctly handled for certain types of music, such as automatic genre classification for stereotypical music, music instrument recoginition on solo performance and tempo extraction, others are more difficult to perform. For example, automatic transcription of polyphonic signals and instrument ensemble recognition are still limited to some particular cases. The goal of our study is not to obain a perfect transcription of the signals and an exact classification of all the instruments ...

In this thesis we address the subject of automatic extraction of harmony information from audio recordings. We focus on chord symbol recognition and methods for evaluating algorithms designed to perform that task. We present a novel six-dimensional model for equal tempered pitch space based on concepts from neo-Riemannian music theory. This model is employed as the basis of a harmonic change detection function which we use to improve the performance of a chord recognition algorithm. We develop a machine readable text syntax for chord symbols and present a hand labelled chord transcription collection of 180 Beatles songs annotated using this syntax. This collection has been made publicly available and is already widely used for evaluation purposes in the research community. We also introduce methods for comparing chord symbols which we subsequently use for analysing the statistics of the transcription collection. ...

Despite a lot of progress in speech separation, enhancement, and automatic speech recognition realistic meeting recognition is still fairly unsolved. Most research on speech separation either focuses on spectral cues to address single-channel recordings or spatial cues to separate multi-channel recordings and exclusively either rely on neural networks or probabilistic graphical models. Integrating a spatial clustering approach and a deep learning approach using spectral cues in a single framework can significantly improve automatic speech recognition performance and improve generalizability given that a neural network profits from a vast amount of training data while the probabilistic counterpart adapts to the current scene. This thesis at hand, therefore, concentrates on the integration of two fairly disjoint research streams, namely single-channel deep learning-based source separation and multi-channel probabilistic model-based source separation. It provides a general framework to integrate spatial and spectral cues in ...

In the audio research field, the majority of machine learning systems focus on recognizing a limited number of sound events. However, when a machine interacts with real data, it must be able to handle much more varied and complex situations. To tackle this problem, annotators use natural language, which allows any sound information to be summarized. Automated Audio Captioning (AAC) was introduced recently to develop systems capable of automatically producing a description of any type of sound in text form. This task concerns all kinds of sound events such as environmental, urban, domestic sounds, sound effects, music or speech. This type of system could be used by people who are deaf or hard of hearing, and could improve the indexing of large audio databases. In the first part of this thesis, we present the state of the art of the ...

The burgeoning of deep learning-based music generation has overlooked the potential of symbolic representations tailored for fretted instruments. Guitar tablatures offer an advantageous approach to represent prescriptive information about music performance, often missing from standard MIDI representations. This dissertation tackles a gap in symbolic music generation by developing models that predict both musical structures and expressive guitar performance techniques. We first present DadaGP, a dataset comprising over 25k songs converted from the Guitar Pro tablature format to a dedicated token format suiting sequence models such as the Transformer. To establish a benchmark, we first introduce a baseline unconditional model for guitar tablature generation, by training a Transformer-XL architecture on the DadaGP dataset. We explored various architecture configurations and experimented with two different tokenisation approaches. Delving into controllability of the generative process, we introduce methods for manipulating the output's instrumentation (inst-CTRL) ...

Audio effects modeling is the process of emulating an audio effect unit and seeks to recreate the sound, behaviour and main perceptual features of an analog reference device. Audio effect units are analog or digital signal processing systems that transform certain characteristics of the sound source. These transformations can be linear or nonlinear, time-invariant or time-varying and with short-term and long-term memory. Most typical audio effect transformations are based on dynamics, such as compression; tone such as distortion; frequency such as equalization; and time such as artificial reverberation or modulation based audio effects. The digital simulation of these audio processors is normally done by designing mathematical models of these systems. This is often difficult because it seeks to accurately model all components within the effect unit, which usually contains mechanical elements together with nonlinear and time-varying analog electronics. Most existing ...

Above 20% European citizens speak in Russian therefore the task of automatic recognition of Russian continuous speech has a key significance. The main problems of ASR are connected with the complex mechanism of Russian word-formation. Totally there exist above 3 million diverse valid word-forms that is very large vocabulary ASR task. The thesis presents the novel HMM-based ASR model of Russian that has morphemic levels of speech and language representation. The model includes the developed methods for decomposition of the word vocabulary into morphemes and acoustical and statistical language modelling at the training stage and the method for word synthesis at the last stage of speech decoding. The presented results of application of the ASR model for voice access to the Yellow Pages directory have shown the essential improvement (above 75%) of the real-time factor saving acceptable word recognition rate ...

Speech signals carry important information about a speaker such as age, gender, language, accent and emotional/psychological state. Automatic recognition of speaker characteristics has a wide range of commercial, medical and forensic applications such as interactive voice response systems, service customization, natural human-machine interaction, recognizing the type of pathology of speakers, and directing the forensic investigation process. This research aims to develop accurate methods and tools to identify different physical characteristics of the speakers. Due to the lack of required databases, among all characteristics of speakers, our experiments cover gender recognition, age estimation, language recognition and accent/dialect identification. However, similar approaches and techniques can be applied to identify other characteristics such as emotional/psychological state. For speaker characterization, we first convert variable-duration speech signals into fixed-dimensional vectors suitable for classification/regression algorithms. This is performed by fitting a probability density function to acoustic ...