Modern devices such as mobile phones, tablets or smart speakers are commonly equipped with several loudspeakers and microphones. If, for instance, one employs such a device for hands-free communication applications, the signals that are reproduced by the loudspeakers are propagated through the room and are inevitably acquired by the microphones. If no processing is applied, the participants in the far-end room receive delayed reverberated replicas of their own voice, which strongly degrades both speech intelligibility and user comfort. In order to prevent that so-called acoustic echoes are transmitted back to the far-end room, acoustic echo cancelers are commonly employed. The latter make use of adaptive filtering techniques to identify the propagation paths between loudspeakers and microphones. The estimated propagation paths are then employed to compute acoustic echo estimates, which are finally subtracted from the signals acquired by the microphones. In ...

Multimedia consumer electronics are nowadays everywhere from teleconferencing, hands-free communications, in-car communications to smart TV applications and more. We are living in a world of telecommunication where ideal scenarios for implementing these applications are hard to find. Instead, practical implementations typically bring many problems associated to each real-life scenario. This thesis mainly focuses on two of these problems, namely, acoustic echo and acoustic feedback. On the one hand, acoustic echo cancellation (AEC) is widely used in mobile and hands-free telephony where the existence of echoes degrades the intelligibility and listening comfort. On the other hand, acoustic feedback limits the maximum amplification that can be applied in, e.g., in-car communications or in conferencing systems, before howling due to instability, appears. Even though AEC and acoustic feedback cancellation (AFC) are functional in many applications, there are still open issues. This means that ...

Room acoustic signal enhancement (RASE) applications, such as digital equalization, acoustic echo and feedback cancellation, which are commonly found in communication devices and audio equipment, aim at processing the acoustic signals with the final goal of improving the perceived sound quality in rooms. In order to do so, signal processing algorithms require the acoustic response of the room to be represented by means of parametric models and to be identified from the input and output signals of the room acoustic system. In particular, a good model should be both accurate, thus capturing those features of room acoustics that are physically and perceptually most relevant, and efficient, so that it can be implemented as a digital filter and used in practical signal processing tasks. This thesis addresses the fundamental question in room acoustic signal processing concerning the appropriateness of different parametric ...

Reverberation is the sum of reflected sound waves and is present in any conventional room. Speech communication devices such as mobile phones in hands-free mode, tablets, smart TVs, teleconferencing systems, hearing aids, voice-controlled systems, etc. use one or more microphones to pick up the desired speech signals. When the microphones are not in the proximity of the desired source, strong reverberation and noise can degrade the signal quality at the microphones and can impair the intelligibility and the performance of automatic speech recognizers. Therefore, it is a highly demanded task to process the microphone signals such that reverberation and noise are reduced. The process of reducing or removing reverberation from recorded signals is called dereverberation. As dereverberation is usually a completely blind problem, where the only available information are the microphone signals, and as the acoustic scenario can be non-stationary, ...

In this thesis a method to implement the radiation characteristics of musical instruments in wave field synthesis systems is developed. It is applied and tested in two loudspeaker systems. Because the loudspeaker systems have a comparably low number of loudspeakers the wave field is synthesized at discrete listening positions by solving a linear equation system. Thus, for every constellation of listening and source position all loudspeakers can be used for the synthesis. The calculations are done in spectral domain, denying sound propagation velocity at first. This approach causes artefacts in the loudspeaker signals and synthesis errors in the listening area which are compensated by means of psychoacoustic methods. With these methods the aliasing frequency is determined by the extent of the listening area whereas in other wave field synthesis systems it is determined by the distance of adjacent loudspeakers. Musical ...

Multichannel acoustic signal processing has undergone major development in recent years due to the increased complexity of current audio processing applications. People want to collaborate through communication with the feeling of being together and sharing the same environment, what is considered as Immersive Audio Schemes. In this phenomenon, several acoustic effects are involved: 3D spatial sound, room compensation, crosstalk cancelation, sound source localization, among others. However, high computing capacity is required to achieve any of these effects in a real large-scale system, what represents a considerable limitation for real-time applications. The increase of the computational capacity has been historically linked to the number of transistors in a chip. However, nowadays the improvements in the computational capacity are mainly given by increasing the number of processing units, i.e expanding parallelism in computing. This is the case of the Graphics Processing Units ...

Reverberation consists of a complex acoustic phenomenon that occurs inside rooms. Many audio signal processing methods, addressing source localization, signal enhancement and other tasks, often assume absence of reverberation. Consequently, reverberant environments are considered challenging as state-ofthe-art methods can perform poorly. The acoustics of a room can be described using a variety of mathematical models, among which, physical models are the most complete and accurate. The use of physical models in audio signal processing methods is often non-trivial since it can lead to ill-posed inverse problems. These inverse problems require proper regularization to achieve meaningful results and involve the solution of computationally intensive large-scale optimization problems. Recently, however, sparse regularization has been applied successfully to inverse problems arising in different scientific areas. The increased computational power of modern computers and the development of new efficient optimization algorithms makes it possible ...

In today's audio production and reproduction as well as in music performance practices it has become common practice to alter reverberation artificially through electronics or electro-acoustics. For music productions, radio plays, and movie soundtracks, the sound is often captured in small studio spaces with little to no reverberation to save real estate and to ensure a controlled environment such that the artistically intended spatial impression can be added during post-production. Spatial sound reproduction systems require flexible adjustment of artificial reverberation to the diffuse sound portion to help the reconstruction of the spatial impression. Many modern performance spaces are multi-purpose, and the reverberation needs to be adjustable to the desired performance style. Employing electro-acoustic feedback, also known as Reverberation Enhancement Systems (RESs), it is possible to extend the physical to the desired reverberation. These examples demonstrate a wide range of applications ...

This thesis deals with the efficient and flexible acquisition and processing of spatial sound using multiple microphones. In spatial sound acquisition and processing, we use multiple microphones to capture the sound of multiple sources being simultaneously active at a rever- berant recording side and process the sound depending on the application at the application side. Typical applications include source extraction, immersive spatial sound reproduction, or speech enhancement. A flexible sound acquisition and processing means that we can capture the sound with almost arbitrary microphone configurations without constraining the application at the ap- plication side. This means that we can realize and adjust the different applications indepen- dently of the microphone configuration used at the recording side. For example in spatial sound reproduction, where we aim at reproducing the sound such that the listener perceives the same impression as if he ...

Acoustic feedback problems occur when the output loudspeaker signal of an audio system is partly returned to the input microphone via an acoustic coupling through the air. This problem often causes significant performance degradations in applications such as public address systems and hearing aids. In the worst case, the audio system becomes unstable and howling occurs. In this work, first we analyze a general multiple microphone audio processing system, where a cancellation system using adaptive filters is used to cancel the effect of acoustic feedback. We introduce and derive an accurate approximation of a frequency domain measure—the power transfer function—and show how it can be used to predict system behaviors of the entire cancellation system across time and frequency without knowing the true acoustic feed-back paths. Furthermore, we consider the biased estimation problem, which is one of the most challenging ...

Modern speech communications are evolving towards a new direction which involves users in a more perceptive way. That is the immersive experience, which may be considered as the “last mile” problem of telecommunications. One of the main feature of immersive communications is the distant-talking, i.e. the hands-free (in the broad sense) speech communications without bodyworn or tethered microphones that takes place in a multisource environment where interfering signals may degrade the communication quality and the intelligibility of the desired speech source. In order to preserve speech quality intelligent acoustic interfaces may be used. An intelligent acoustic interface may comprise multiple microphones and loudspeakers and its peculiarity is to model the acoustic channel in order to adapt to user requirements and to environment conditions. This is the reason why intelligent acoustic interfaces are based on adaptive filtering algorithms. The acoustic path ...

In this thesis, we develop a number of algorithms for acoustic echo and noise cancellation. We derive a fast exact implementation for the affine projection algorithm (APA), and we also show that when using strong regularization the existing (approximating) fast techniques exhibit problems. We develop a number of algorithms for noise cancellation based on optimal filtering techniques for multi-microphone systems. By using QR-decomposition based techniques, a complexity reduction of a factor 50 to 100 is achieved compared to existing implementations. Finally, we show that instead of using a cascade of a noise-cancellation system and an echo-cancellation system, it is better to solve the combined problem as a global optimization problem. The aforementioned noise reduction techniques can be used to solve this optimization problem.

This thesis deals with several open problems in acoustic echo cancellation and acoustic feedback control. Our main goal has been to develop solutions that provide a high performance and sound quality, and behave in a robust way in realistic conditions. This can be achieved by departing from the traditional ad-hoc methods, and instead deriving theoretically well-founded solutions, based on results from parameter estimation and system identification. In the development of these solutions, the computational efficiency has permanently been taken into account as a design constraint, in that the complexity increase compared to the state-of-the-art solutions should not exceed 50 % of the original complexity. In the context of acoustic echo cancellation, we have investigated the problems of double-talk robustness, acoustic echo path undermodeling, and poor excitation. The two former problems have been tackled by including adaptive decorrelation filters in the ...

In multiuser ultra-wideband (UWB) systems, a large number of multipath components (MPCs) are introduced by the channel. One of the main challenges for the receiver is to effectively suppress the interference with affordable complexity. In this thesis, we focus on the linear adaptive interference suppression algorithms for the direct-sequence ultrawideband (DS-UWB) systems in both time-domain and frequency-domain. In the time-domain, symbol by symbol transmission multiuser DS-UWB systems are considered. We first investigate a generic reduced-rank scheme based on the concept of joint and iterative optimization (JIO) that jointly optimizes a projection vector and a reduced-rank filter by using the minimum mean-squared error (MMSE) criterion. A low-complexity scheme, named Switched Approximations of Adaptive Basis Functions (SAABF), is proposed as a modification of the generic scheme, in which the complexity reduction is achieved by using a multi-branch framework to simplify the structure ...

Spatial hearing for human listeners is based on the interaural as well as on the monaural analysis of the signals arriving at both ears, enabling the listeners to assign certain spatial components to these signals. This spatial aspect gets lost when the signals are reproduced via headphones without considering the acoustical influence of the head and torso, i.e. head-related transfer function (HRTFs). A common procedure to take into account spatial aspects in a binaural reproduction is to use so-called artificial heads. Artificial heads are replicas of a human head and torso with average anthropometric geometries and built-in microphones in the ears. Although, the signals recorded with artificial heads contain relevant spatial aspects, binaural recordings using artificial heads often suffer from front-back confusions and the perception of the sound source being inside the head (internalization). These shortcomings can be attributed to ...